Skip to main content

One thing that I've found really interesting while reading Beloved is the theme of colors. It's something that has kept coming back throughout the book, and it's clearly really meaningful and symbolic. We're told that Baby Suggs has this weird fascination with colors – she constantly wants to be shown different colors by Sethe and Denver. The way Sethe sees it, 124 is so devoid of color, it makes sense that Baby Suggs would be so “starved for colors.” Apparently everything in their house is either brown, grey, white, or some other muted, neutral shade. The only things that have any color are two patches of orange on a quilt. It seems depressing, and it is. But, what makes it more depressing is thinking about why exactly 124 is devoid of color. We’re pretty much given the answer – after Beloved dies Sethe stops seeing things by their colors. It reminded me of when Denver was asked a question she couldn’t handle and went deaf for years. One sentence which was especially striking to me was, “It was as though one day she saw red baby blood, another day the pink gravestone chips, and that was the last of it.” At this point color is so intertwined with Sethe’s trauma and grief that having it in her home is too painful. It’s so heartbreaking. For most of us colors are a hugely important part of life – that’s why we say things like “seeing in color” to mean happiness and taking in the beauty of life. It’s not like Sethe just doesn’t see color at all – she says color is a part of her everyday life from sunsets to her job at the restaurant. But even though she sees it, since Beloved’s death she hasn’t ever really seen it. It’s almost like she blocks it out. As a result, her family and her home are utterly starved of color. It’s symbolic of the way that Sethe and Baby Suggs’ life basically just stopped 18 years ago.

The two orange patches, being the only color at 124, are symbolic of the lost possibility of a beautiful life – of everything Sethe could have had. They “signaled how barren 124 really was.” If the quilt were only dark, without the two orange patches, it might be hard to notice the lack of color. But, just like Sethe's 28 days of freedom, the orange patches are a stark reminder of what she’s missing out on. Just enough for her to get a taste of what it feels like, but in the end it’s only a small patch on the quilt of her lifetime. As much as it’s a depressing reminder though, it seems like it almost might represent hope on some level. Beloved is also fascinated by the orange patches, and in this case the orange is framed as “cheery.” Given the return of Beloved, maybe the orange patches represent a real prospect for happiness and unity for the family. Maybe instead of looking at it as nagging reminder of the past it can be seen as a chance for a hopeful future.

Comments

  1. Thanks Lili, for this explication of one of the symbolic elements of the novel! The loss of color after Beloved's death is very sad, but thanks for opening up how it could symbolize hope. I'm reminded of how after Paul D leaves, Sethe feels like her family is completed with Beloved and Denver, and how she sees in Beloved prospects for the future.

    ReplyDelete

Post a Comment

Popular posts from this blog

We’ve mentioned the ‘yam scene’ a few times in class, but we haven’t quite gotten to it yet so it’s pretty much uncharted territory for the moment. I think it’s a super important scene for a lot of reasons, but the most important one is the sense of freedom that the yams bring the narrator. He leaves Mary’s house needing a breath of fresh air and a break from his inner turmoil, and the yams end up bringing him a huge deal of clarification. He says immediately after eating the yams that he is “overcome by an intense feeling of freedom” and I don’t think that he’s truly experienced this feeling yet in the book (pg 264). I was definitely a little confused at first – that eating yams from the street can inspire an inner revelation in someone seems pretty weird – but then I thought about all the times that I’ve gone somewhere on my own, or bought something on my own and I understood a little better. Being in a situation where you answer entirely to yourself and everything you do is on
The scene that takes place in Emma Goldman's home in Chapter 9 was one that I found really interesting, but also a little bit conflicting. To begin with,  Emma Goldman gives Evelyn a powerful lecture about liberating herself from the manipulations and abuses of men; of embracing real love and the freedom that comes with it. Great, I thought, it's about time someone sets Evelyn straight (or, maybe not  straight , exactly). The best part is that Emma is just so right. Evelyn's worth has, up until this point been defined solely by her relation to powerful men - men who abused her both physically and sexually. Her sexuality has been on constant display for all of America to debate. As such, th ere's something really empowering in Evelyn experiencing this sexuality with someone  who, for once, doesn't view her worth as existing within a restricted domain; someone who doesn't view her beauty as existing within the corset that she wears.  The scene is, overall, one whi
As we finish our discussion of Invisible Man  I wanted to write about one of my favorite chapters in the book - Chapter Three, the Golden Day chapter. As chaotic as it is, I love the idea of the Golden Day; it's an isolated part of society where ordinary social norms and hierarchies don't apply. As soon as Mr. Norton walks in, he is ridiculed and mocked by the patients. They call him Thomas Jefferson and John D. Rockefeller and make other jokes that importantly, are at his expense. We talked a lot in class about how important laughter and humor are in Invisible Man - they function most often as a means of undermining someone's authority or importance. Specifically, the jokes that compare Mr. Norton to any other white guy are powerful because they basically send the message that Mr. Norton is of little importance or concern to the patients. He might as well be any other person and in that sense the patients' jokes really serve as the first warning that something is diffe